10: Pickup Methods - Dating advices and dating tips

Number 10

Smile when you walk into a room

See the group with the target and follow the three-second rule. Do not hesitate -- approach instantly.

Number 9

The opener should open the group, not just the target

When talking, ignore the target for the most part. If there are men in the group, focus your attention on the men.

Number 8

Neg the target

Neg the target with one of the slew of negs we’ve come up with. Tell her, “It’s so cute. Your nose wiggles when you laugh.” Then get her friends to notice and laugh about it.

Number 7

Convey personality to the entire group

Do this by using stories, magic, anecdotes, and humor. Pay particular attention to the men and less attractive women. During this time, the target will notice that you are the center of attention. You may perform various memorized pieces like the photo routine, but only for the obstacles.

[The photo routine involves carrying an envelope of photos in a jacket pocket, as if they’ve just been developed. Each photo, however, is preselected to convey a different aspect of the PUA (Pickup Artist)’s personality, such as images of the PUA with beautiful women, with children, with pets, with celebrities, goofing off with friends, and doing something active like roller-blading or skydiving. The PUA should also have a short, witty story to accompany each photo.]

Number 6

Ask the group, “So, how does everyone know each other?”

If the target is with one of the guys, find out how long they’ve been together. If it’s a serious relationship, eject politely by saying, “Pleasure meeting you.”

Number 5

Ask permission to take her away from the group

If she is not spoken for, say to the group, “I’ve sort of been alienating your friend. Is it alright if I speak to her for a couple of minutes?” They always say, “Uh, sure. If it’s okay with her.” If you’ve executed the preceding steps correctly, she will agree.

Number 4

Hold her hand

Isolate her from the group by telling her you want to show her something cool. Take her to sit with you nearby. As you lead her through the crowd, do a kino test by holding her hand. If she squeezes back, it’s on. Start looking for other IOIs.

Number 3

Ask her about her qualities

Tell her, “Beauty is common but what’s rare is a great energy and outlook on life. Tell me, what do you have inside that would make me want to know you as more than a mere face in the crowd?” If she begins to list qualities, this is a positive IOI.

Number 2

Stop talking

Does she reinitiate the chat with a question that begins with the word “So?” If she does, you’ve now seen three IOIs and can…

Number 1

Kiss close

Say, out of the blue, “Would you like to kiss me?” If the setting or circumstances aren’t conducive to physical intimacy, then give yourself a time constraint by saying, “I have to go, but we should continue this.” Then get her number and leave.

glossary

FMAC -- noun [find, meet, attract, close]: a rudimentary sequential model of pickup.

IOI -- noun [indicator of interest]: a sign a woman gives a man that indirectly reveals she is attracted to or interested in him. These clues, generally unintentional and subtle, include leaning toward a man when he speaks, asking mundane questions to keep a conversation going or squeezing his hand when he takes her hand in his.

Kino -- verb: to touch or be touched, generally with suggestive intent or the purpose of arousal, such as hair-stroking, hand-holding or hip-grabbing; precedes actual sexual contact.

Kiss close -- 1. verb: to kiss or make out, with passion. 2. noun: a passionate kiss or makeout.

Neg -- 1. noun: an ambiguous statement or seemingly accidental insult delivered to a beautiful woman a pickup artist has just met, with the intent of actively demonstrating to her (or her friends) a lack of interest in her. For example: “Those are nice nails; are they real?” 2. verb: to actively demonstrate a lack of interest in a beautiful woman by making an ambiguous statement, insulting her in a way that appears accidental, or offering constructive criticism.